We will be meeting in downstairs in The Swedengorania Library not in the AV Room. The library opens at 7pm so we may start a little later and the first meeting for the Tableaux is also tonight at 6:30 pm. I will be attending that meeting and then running over to the library at 6:55.
Hope to see you there. AG
Wednesday, December 1, 2010
Tuesday, November 23, 2010
Nunc Licet Production Notes;
Scripts for the Reading Workshop:
- The scripts we will be using for the readings are available at the Swedenborg Library front desk for your review.
- They are not to be taken out, as we have- just what we need for the readings and these scripts will be kept at the library.
- The script edition that we will start with is not the most current edition. It is Revision VIII-G, whereas the current edition is Revision X-J-G. I hope to be able to replace this older edition with a set of the newer ones as we proceed. (if anyone cares to help with the cost of that as an investor, I welcome that kind of participation as well).
- I am also thinking that at some point in the future, I will create an edition that eliminates all but the dialogue from the pages, but this seems to be very difficult for me to do
- The differences are not so significant that we cannot use the older ones to get a feel for the material. I suggest that if you would like a new edition that you purchase one. I've given away so many scripts over the years, I just can't do it anymore. They are available here on-line, at the Cathedral bookstore, and at the Reading Workshop
- I am not providing it online, because after twenty-five years of agonizing work and expense, I am unwilling to make it available for free, until the production goes up and the film is completed.
- I also will not be providing scripts to people free of charge. I will provide both the CD ROM and the current version of the script to people who participate at my wholesale cost. That's the best I can offer. I will have a sign-up sheet at the readings for people who want to avail themselves of this offer.
- The first night of Reading on Wednesday December 10th will take place in the Swedenborgiana Library as opposed to the AV Room and if that works out, we may continue there.
- I will be attending the first meeting for the Tableaux Choir at the Cathedral and the Library opens at 7:00 pm, so do not be distressed if we start a little late. If you are the first to arrive feel free to get a script from behind the desk and look it over.
- Here's hoping we can succeed at gathering a group of people who want to get serious about doing this. If we are very lucky and the show seems to work, we may have an opportunity to move this show to Philadelphia, New York or other cities nearby. But don't let my goal of doing that prevent you from just helping to get it up for the Assembly.
- Praise the Lord and pass the ammunition.
Tuesday, November 16, 2010
Nunc Licet, purchasing a script

Purchasing a copy of
"Nunc Licet"
If you would like assist
in moving
the production forward
by purchasing
a copy of the play
it is now available
using PayPal.
"Nunc Licet"
If you would like assist
in moving
the production forward
by purchasing
a copy of the play
it is now available
using PayPal.
These items are produced on demand,
so you will receive an email
to confirm your order
and let you know about the shipping.
Thank you in advance for your order.
Your purchase will help to advance the production
and you will receive special offers and benefits
when the show premieres.
Your purchase will help to advance the production
and you will receive special offers and benefits
when the show premieres.
AG
| Versions available | |
Nunc Licet, current activity
Production Approach Summary
Purchasing a Script
This link will allow you to purchase the script via PayPal.
Synopsis of the Play
Current Activity
(2010) ;
Purchasing a Script
This link will allow you to purchase the script via PayPal.
Synopsis of the Play
2/11- Readings at The Swedenborg Library We have had a few reading sessions that went very well, but I found that the notes have been causing people to pause to 1) read the notes and 2) try to find the next line of text. So I am removing all the notes from this version so that there are no instructions whatsoever in the script. It seems strange to me because there is no point of reference to understand what is going on, but then the version of the script with the notes can be referenced in that instance.
1/11- Submission to The Public Theatre: One more rejection slip although this time they said they enjoyed reading the work, which seems to indicate that they may actually have done so. You'd be surprised how may people can't get thru this play, myself included at times. What can I say, it's a big play with religious subject matter. I have found that the biggest hindrance to reading the play are the staging notes which I have been spending time removing for an actors version.
(2010) ;
11/10- Objective for the Reading Workshops- The latest workshop will begin on Wednesday, December 10th at The Swedenborg Library on the campus of Bryn Athyn College. Times are from 7 pm to 9 pm in the AV Room.
The show has been work-shopped four times before, during the writing process and this is intended to be the last time this will take place. The goal for this workshop is to prepare the play to be presented before the World Assembly in June. Confirmation of the use of the Pendelton Hall Chapel in the main college building has not been given and will likely be contingent upon the success we achieve with these workshops.
Film & Video- The larger goal is to shoot the film version of this play at Cairnwood, as it is a nice location which represents the atmosphere of the play quite well and it just happens to be across the street from everybody, the campus, the theatre, and the church.
But in the mean time, it was suggested that we might just shoot some snippets of the play as a test. Well, that sounds like a great idea. That will require less memorizing the lines of the play than a stage show and I have the equipment we need to do tests. It would be better to have higher quality equipment than I have, but for now we can move forward with my equipment.
I have S-VHS equipment that I use for documenting various activities, so we can us that for now. My 16mm film equipment (Beaulieu) is not really appropriate for this because of aspect ratio issues, because I don't really trust the mechanical stability of the cameras, there are issues with sync sound & camera noise and it is very costly to produce the desired results. Not to mention the cost of servicing the cameras, lenses and sound recorder before we engage in a serious shoot. If the opportunity to buy, use, or rent better equipment comes up then we will explore that when the time comes. But for now samples using S-VHS will have to do. I'm working to acquire two Canon XL-HD cameras, but my editing systems are not yet set up for HD.
Of course there are numerous production issues that need to be addressed if we are to proceed with shooting some scenes. We could do it in contemporary garb, but I'd rather do it in period costumes, so we will need a costumer who can coordinate that. Then we have to determine the locations for the scenes. If we do it in a contemporary format, then we can shoot it anywhere, but how boring is that? I'm really very less inclined to desire any contemporization of this work, but we'll do what we have to to advance the cause.
A Staged Reading- The least of the goals we have is for a presentation at the Assembly as a staged reading, script in hand. Since this appears a first glance to be a rather long and complicated play, that might be the best we can hope for. I say appears to be, because in reality- the play is much easier and shorter, if the technical notes and directions are removed from the text. I have attempted to do this, unsuccessfully, numerous times. They are just too integrated into my thinking on the material. Someone else might be able to do that, but I can't seem to. I will make one more attempt at it, as painful as that might be.
If the participants in the workshop are willing to work at getting off-script, then that will go a long way for a larger more detailed presentation. But if we find that the lines are too voluminous or difficult for the actors to memorize then we will need to rethink how we will approach this project. I am not expecting to edit the play down, as I have been refining it for the past twenty-five years trying to make it easier to deliver and understand. Chopping it up is not a good idea, not a good idea at all. But if it has to be cut, I am the only one to make that decision (of course I will accept suggestions, I may not listen to them, but I will accept them).
I have tried to break up the dialogue into smaller manageable segments for the sake of the actors. I know that the material has a certain philosophical complexity to it and so for both the sake of delivery and comprehension I have broken the thoughts into a more conversation style. I hope that this will prove to make the play flow more easily. As I have mentioned before elsewhere, the sub-plot and non-verbal expression in the play are- as, if not more, important to the success of the play. Much of that sub-plot has to be extrapolated by the actors who will portray the role, because only so much has been conveyed in the script and support materials. I apologize to the secondary characters who are left to their own devices to fill their space on the stage at times.
A Full Stage Production- Although I hope for a full stage production at some point, I am not expecting to see this happen for June- unless there are logistical folks who sign on to help make that happen. Yes, I am working toward that ultimate goal, but the reality is that the budget for a full production needs to be determined, the necessary funding acquired and many other details implemented. It is all I can do to think about the core material and to document the process of refining the material, so that it becomes a workable stage presentation which the audience will accept and enjoy.
So this is some preparatory material for the Script Reading Workshop which will begin on the 10th of December. Hopefully we will have a reasonable group of people who will assist us in these goals and we will determine what it is that we can in reality achieve when we find out who is willing to join the effort.
"When Preparation meets Opportunity, Success occurs"
contact Arthur Greisiger at: imagemindag@verizon.net
Refer to the
for prior postings
Monday, November 15, 2010
Revised Press Release for "Nunc Licet"
11/15/10 Press Release;
Readings of the play "Nunc Licet: a stage play about Emanuel Swedenborg"
We have a number of goals which include film and video as well.
These weekly sessions are production meetings intended to gather participants who can be counted on to help to advance to goals of the show. Observers are invited to sit in, but anyone attending may be called upon to read and will be expected to do so.
In addition to actors & technicians, we also are also seeking to build a production team of folks who can assist with implementing logistical matters, both locally and on a larger scale.
We will also need to engage in fundraising for this project which will lead to paying positions, but for the time being- we are all working on a volunteer or deferred basis.
For further discussion you may contact Arthur Greisiger via email at imagemindag@verizon.net or use Facebook.
Information and a synopsis of the play can be had by using the search function above to search for "Nunc Licet"
Readings of the play "Nunc Licet: a stage play about Emanuel Swedenborg"
will begin on
December 1st, 2010
in The Swedenborg Library on the campus of Bryn Athyn College.
Work will take place in the AV Room of the library from 7-9 pm
and continue weekly
and continue weekly
with the goal of presenting the play during
The World Assembly of The General Church of The New Jerusalem in June.
We have a number of goals which include film and video as well.
These weekly sessions are production meetings intended to gather participants who can be counted on to help to advance to goals of the show. Observers are invited to sit in, but anyone attending may be called upon to read and will be expected to do so.
In addition to actors & technicians, we also are also seeking to build a production team of folks who can assist with implementing logistical matters, both locally and on a larger scale.
We will also need to engage in fundraising for this project which will lead to paying positions, but for the time being- we are all working on a volunteer or deferred basis.
For further discussion you may contact Arthur Greisiger via email at imagemindag@verizon.net or use Facebook.
Information and a synopsis of the play can be had by using the search function above to search for "Nunc Licet"
Arthur Greisiger
Artistic Director / Proprietor;
Image of the Mind Studios
Artistic Director / Proprietor;
Image of the Mind Studios
Founder / Administrating Director;
The Alpha & Omega Society
The Alpha & Omega Society
Founder / Executive Producer / Artistic Director;
The Shakespeareans of Tamanend Park
The Shakespeareans of Tamanend Park
Thursday, November 4, 2010
Nunc Licet Readings @ The Swedenborg Library
Beginning December 1st, 2010 we will begin to conduct readings of the play at The Swedenborg Library on the campus of Bryn Athyn College. Readings will continue to take place on Wednesday Evenings from 7 to 9 pm in the AV Room.
Anyone interested in helping to mount this play is invited to attend. These meetings are intended to achieve a few different goals. They are production meetings, they are not entertainment for observers. That will come when we present the play to the public. Most importantly, we need to open an ongoing discussion and and action plan regarding the logistical matters pertaining to mounting a presentation of Nunc Licet at the Assembly in June.
We need to build a producing team. It is my distinct opinion that we need to divide the producing duties between three principle producers and a number of Associate Producers. The specifics of that organizational structure will be presented to those persons who would like to serve in the role of producer and will be refined at these meetings by those individuals. In addition, the producers will be responsible for raising money for the production. This is not- Here's the money go do it... rather it's Here's a show, let's get the money, or find ways around it, and do it. We need self-starting, go-getters in order to get this done. There is much to do and we need committed people that everyone can count on. So if that's the type of person you are, then please do get involved.
Certainly, finding the people who can perform is equally important, but without the logistics backing up the performers the effort to produce a crafted piece will be frustrated.
Persons wishing to walk-the-boards are invited to participate, but there will be no promises in that regard. We need people who will not only fulfill the roles, but will do so- well... and will want to continue on with doing the show more than just once or twice.
We have intentions of filming the show and will document the process with video, so we need technical people who are interested in this aspect as well. On the subject of filming- if all works out well, we will want the same performers who work on the stage show to participate in the filming, hopefully at Cairnwood. This will depend on how many people become involved and are serious about helping to make this happen.
Those dedicated persons who do become involved to help get this show up, will become part owners in this show, which is intended to be presented around the world, hopefully on an ongoing basis as both a stage play and a film.
More dialogue will follow ... AG
Anyone interested in helping to mount this play is invited to attend. These meetings are intended to achieve a few different goals. They are production meetings, they are not entertainment for observers. That will come when we present the play to the public. Most importantly, we need to open an ongoing discussion and and action plan regarding the logistical matters pertaining to mounting a presentation of Nunc Licet at the Assembly in June.
We need to build a producing team. It is my distinct opinion that we need to divide the producing duties between three principle producers and a number of Associate Producers. The specifics of that organizational structure will be presented to those persons who would like to serve in the role of producer and will be refined at these meetings by those individuals. In addition, the producers will be responsible for raising money for the production. This is not- Here's the money go do it... rather it's Here's a show, let's get the money, or find ways around it, and do it. We need self-starting, go-getters in order to get this done. There is much to do and we need committed people that everyone can count on. So if that's the type of person you are, then please do get involved.
Certainly, finding the people who can perform is equally important, but without the logistics backing up the performers the effort to produce a crafted piece will be frustrated.
Persons wishing to walk-the-boards are invited to participate, but there will be no promises in that regard. We need people who will not only fulfill the roles, but will do so- well... and will want to continue on with doing the show more than just once or twice.
We have intentions of filming the show and will document the process with video, so we need technical people who are interested in this aspect as well. On the subject of filming- if all works out well, we will want the same performers who work on the stage show to participate in the filming, hopefully at Cairnwood. This will depend on how many people become involved and are serious about helping to make this happen.
Those dedicated persons who do become involved to help get this show up, will become part owners in this show, which is intended to be presented around the world, hopefully on an ongoing basis as both a stage play and a film.
More dialogue will follow ... AG
Monday, September 20, 2010
Nunc Licet: readings at Tamanend Park begin...
Arthur Greisiger
is conducting readings of his stage play
"Nunc Licet"
a play about Emanuel Swedenborg
a play about Emanuel Swedenborg
beginning this
Sunday September 26th from 2-4 pm
(the regular time for Shakespearean activity)
Work will continue on Sunday afternoons
with the goal of making a presentation
for the World Assembly in June of 2011.
for the World Assembly in June of 2011.
We need to have people willing to read
and others who are willing to assist in planning
and gathering resources for the Assembly presentation.
The immediate goal is to present in Pendelton Hall
on the campus of Bryn Athyn College,
beyond that, there hope to produce a film version.
on the campus of Bryn Athyn College,
beyond that, there hope to produce a film version.
Contact Arthur at 215-322-1566, or
imagemindag@verizon.net
imagemindag@verizon.net
For further information
or to read a synopsis of the play
use this search link;
or to read a synopsis of the play
use this search link;
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